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Founded in 2014, Cardboard House Press is a space for dialogue between poetics that investigate social, environmental, political, cartographic and linguistic formations. Cardboard House Press publishes poetry in translation in the United States by Latin American and Spanish authors and prints books through diverse processes, including letterpress, block printing, stencil, screenprinting and digital. A series of our publications are made by hand in community workshops. All our books are bilingual.


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Mark




ANTUCO


Carlos Soto Román | Carlos Cardani Parra

Translated from the Spanish by Judah Rubin


A molecular accounting of the slow congealing of human flesh, Antuco is a condemnation of the tragedy at the root of authority, the expendability of human life undergirding military hierarchy and the nation-state itself. In the largest peacetime loss of life in Chilean military history, dozens of Chilean conscript soldiers froze to death during a 2005 alpine military training exercise at the Antuco volcano. Engaging documentary and visual modes to submerge the reader in whiteout, Antuco compacts a devastating coagulation of eco-poetics and social poetics to document the tragedy and its aftermath, through hymns and combat clothing labels alongside chemical formulas and military orders. In Antuco’s polyvocality we see the interstices, the crevices from which hegemony seeps, as well as the con-scripted relationship of reader and writer, event and mediation, in the fractured and fracturing parallax frames that we call history. When Cardani Parra and Soto Román write of ice, it is commentary on the social body at large, the shattering consequences of just following orders: "freezing is a change in the physical state / a reordering of the molecular structure."


$21
$18.5


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Poetry | Paperback | Bilingual edition
360 pages | ISBN 978-1-945720-42-0 | April 8, 2026 

The publication of this book was made possible thanks to the support of the Poetry Foundation


Designed by Joaquín Contreras Soto and Mutandis
Typesetting of the English version by Mutandis
Typography:  AA Arche Grotesk family, AA Blacksmith (Archetypo.xyz)
Fonts AA Arche Grotesk in Italic and Monospace & AA Blacksmith versions were custom designed for this book by the Archetypo team
Interior photography: Carlos Soto R.
Maps: Instituto Geográfico Militar



 Praise 


In May 2005, young conscripts to the Chilean Army were sent into whiteout conditions on a training mission dressed in cotton-polyester uniforms by officers dressed in 3-layer Gore-Tex Pro. At least forty-four of them died. Carlos Cardani Parra and Carlos Soto Román tell this story through what was left behind—military manuals, maps, weather indices, news headlines, survivors' testimony—and through these documents chart how nationalism is often made out of the bodies the nation state fails to protect.—Juliana Spahr, author of Ars Poeticas


Chilean military training, “whiteout conditions,” masculinity, windchill factors… Antuco epitomizes an ideal union of political critique and poetic craft. This incessant and inescapable narrative builds with the fury of the storm itself that took the lives of 44 conscripts atop a frigid stratovolcano. Cardani Parra and Soto Román have erected a new monument of words that unrelentingly condemns the necropolitics of military command and control. You’ll never look at winter storms or stormtroopers the same way again.—Mark Nowak, author of Social Poetics


In 2005, a whiteout storm and a series of terrible decisions turn a military training campaign on the Antuco volcano into a tragedy for the Chilean army resulting in the deaths of 44 men. Out of the evidence, documentarians Carlos Cardani Parra and Carlos Soto Román create a series of poems that serve as both a memorial and an indictment. Hypermasculine creeds and meaningless orders ring as hollow and distant as snow falling “in a Christmas story from another hemisphere.”Every page builds a case against the hubris of the military command and humanizes the conscripts, the “majority [of whom] die in the fetal position” clutching their firearms. Lyric and typographic experimentation (as well as a deft translation by Judah Rubin) contribute to an unforgettable and haunting testimonial. “Do not stop. Do not pause./ Do not help. Eyes straight,” the conscripts are told. In this extraordinary book, their plight resounds eerily into our present as we hurl blindly towards a litany of equality preventable disasters.—Susan Briante, author of 13 Questions for the Next Economy


In this riveting and gut-wrenching book, a tragedy of the past frames the present while reaching for a different future. As authoritarianism cozies up to mega-corporations, as military hardware manufacturers and private prisons reap profits, as billionaires grift and safety nets disintegrate, we are told to just follow orders and march into the blinding snow. Antuco is a document, a parable, and a reminder that we can—and must—choose otherwise.—Jena Osman, author of A Very Large Array





 Authors 

Carlos Soto Román is a poet and translator. Author of 11 (UDP, 2023 & Municipal Poetry Prize, Santiago, 2018), he has published Chile Project: [Re-Classified] (Gauss PDF, 2013), Bluff (Commune Editions, 2018), Common Sense (Make Now Books, 2019), Nature of Objects (Pamenar Press, 2019) and Alternative Set of Procedures (Rosa Press, 2023), among others. He is also the author of the first Spanish translation of Charles Reznikoff’s Holocaust. He lives and works in Santiago, Chile.  

Carlos Cardani Parra (Santiago de Chile, 1985) is the author of raso (2009), Pasaje Tala (2010), Caldo de Cardán (2013), and Du Maurier (2016).


 Translator 

Judah Rubin is a poet, translator, and the editor of A Perfect Vacuum. He lives in New York.




 Reviews 


“Drawing on official documents, testimonies, visual poetry, and fragmented narratives, the collection reconstructs not only the event but the institutional violence that made it possible (...) “Cold is a state of mind,” one poem begins, before dismantling the phrase into something far more ominous — “Cold is a consequence… a descriptive property without explanation.”(...) Through this interplay of voices and forms, Parra and Soto Roman create a work that is collaborative, overwhelming, and politically urgent. Antuco transcends its specific historical moment to expose broader systems of inequality, oppression, and state power, confronting the reader with the human cost of bureaucratic indifference.”—Leo Boix, Morning Star


The translation is itself a political act that extends the book’s original gesture of denunciation into a new context, making the Chilean tragedy legible to readers who may be living through analogous situations. The book’s questioning of military and government impunity, state violence, and adherence to cults of masculinity are globally resonant themes that U.S. readers in particular may find disturbingly familiar.—Alec Schumacher, Full Stop